The series debuted in and became popular in the Soviet Union and Eastern Bloc countries. The episode featured science fiction theme of artificial intelligence and high level of automation. However, all of Wolf's plans ended up in vain. Song for the Hare". While the Wolf was watching sports on television presumably soccer , his television switches to a channel featuring the Hare singing. Episode 16, the last film created during the Soviet era, aired in
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Not infrequently, he loses most of his clothes during the chase, going on in his chintz underpants only gwmes are a realistic depiction of Soviet-style underwearthough in episode 6, he retains only his shirt and pulls it down to cover up his "naked" hindquarters.
Inthe characters were re-used albeit with Zayats being replaced with a chipmunk for a series of 'next' bumpers for Teletoonproduced by Chuck Gammage Animation. The episodes of Nu, pogodi! The original script for Nu, pogodi! The episode featured science fiction theme of artificial intelligence and high level of automation.
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The Cat is shown to be a good magician, but very self-absorbed and highly sensitive to applause. The story also features a supporting cast of animal characters, the most commonly appearing of which is the physically strong and heavy Hippopotamus Russian: LCD game Nu, pogodi! Sometimes the words of the songs were modified or altogether substituted to correspond to the action, and a New Years holiday song duet between Papanov and Rumyanova that later became a popular standard [28] was written especially for the series.
He drops the Wolf twice in his act to acknowledge and accept the applause from the Hare.
Released under the Electronika brand. Episode 16, the last film created during the Soviet era, aired in Kotyonochkin disliked subtext and tried to create very simple, straightforward scenarios. There was also a promotional 30 min.
During his pursuit of the Hare, the Wolf finds himself performing on stage, first as a choir master, then as a ballet dancer. Hippopotamus squeezes Wolf's head ns test the ripeness of the "watermelon", and inadvertently forces him out of hiding. For his part, Vyacheslav Kotyonichkin was not a follower of auteur films many of which were being made at palsuk studio at the timeand considered them to be examples of someone needlessly showing off.
During the late Soviet and post-Soviet era, however, the Wolf gradually became more buffoonish than menacing. The first episode aired in He is most often seen in a pink shirt with a yellow necktie, but occasionally Episode 7 appears in a naval undershirt telnyashka and in Gamse 8, he appears in drag, impersonating the Snegurochka. In Episode 17 he wears a ponytail, and in Episode 18 his forelock is cropped and the mullet is tied into a ponytail. Komsomolskaya Pravda in Russian.
After a lot of mishaps, the Wolf and the Hare allied and stayed friend for a while. The two episodes were met with negative reactions.
Russia portal Soviet Union portal Animation portal. When the 19th and 20th episode went into production, times had changed and the music rights would gmaes to obtained first, which was not possible with the budget. Animation industry in Russia.
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Between andthe Russian video game company SoftClub nz five different PC games based on the cartoon series. Retrieved from " https: Well, just you wait! The female Fox singer in Episode 15 is based upon Alla Pugacheva.
The 17th episode in particular was dedicated aplauk the 25th anniversary of Nu, pogodi! The Wolf became increasingly timid or even outright cowardly during this time period, contrasting sharply with his initially "macho" persona and actor's voice.
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A national artist, Andrei Derzhavin of the band Mashina Vremeniwas contacted instead, who composed the music for the films. It turned out that all outtakes of Papanov's work for the series had been archived. The Hare is performing in a choir, and the Wolf sneaks into the theater to grab him. In the first episode, while climbing a high building to catch the Hare, the Wolf whistles the popular mountaineer song, "A Song About A Friend" a signature song of Vladimir Vysotsky.
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